Mohit Suri’s ‘Saiyaara,’ starring Ahaan Panday and Aneet Padda, has surprisingly become a box office hit, overshadowing other releases. Kussh S Sinha, director of ‘Nikita Roy,’ attributes his film’s underperformance to the ‘Saiyaara’ wave, limiting screen availability. He also stated that his content is original, indirectly taking a dig at Suri’s film. Read on to know more.
📉 Who’s Speaking?
Kussh Sinha, the brother of Sonakshi Sinha and director of the recently released Nikita Roy, has come forward amidst his film’s underperformance to issue a pointed message. While congratulating Saiyaara on its box-office runaway success, he made an indirect critique:
“We haven’t plagiarised content.”
Why This Statement Matters
Saiyaara—the Mohit Suri‑directed romantic drama starring Ahaan Panday and Aneet Padda—has not only shattered box‑office records but also polarized conversations due to swirling allegations of plagiarism.
From nearly identical story arcs to accusations of borrowing musical riffs, the film has been compared extensively to:
The 2004 Korean classic A Moment to Remember, especially in its depiction of early‑onset Alzheimer’s and emotional storytelling beats.
Global songs like One Direction’s “Night Changes” and Jubin Nautiyal’s “Humnava Mere” for its title-track melody.
● Alleged Storyline Copy
Online communities—particularly Reddit and social media critics—have pointed out compelling parallels in emotional sequence structure, character milestones, triggers, and the ultimate resolution in Saiyaara and the Korean film. Viral side-by-side clips added fuel to the debate.
Mohit Suri and Yash Raj Films, however, maintain that Saiyaara is an original love story, inspired by general themes of memory and loss but not meant to replicate any specific film.
● Musical Controversy
The title track’s piano intro triggered another backlash—listeners sensed a near-reflection of chords from “Night Changes” and Nautiyal’s ballad. Composer Tanishk Bagchi firmly denied conscious copying:
“The A minor scale has just about 3‑4 chords, but every melody has a different soul… We didn’t pick something from there and paste it here.”
● Kussh’s Understated Dig
In light of all this, Kussh Sinha’s comment takes on sharper meaning. His film Nikita Roy, which was released alongside Saiyaara, faced box-office erosion and underwhelming viewership. While he congratulated Saiyaara on its success, his remark that Nikita Roy remained devoid of plagiarism accusations subtly positions his film in contrast to the controversy swirling around Suri’s hit.
● Broader Implications for Bollywood
This debate opens up deeper questions about creative ethics in Bollywood. As the industry increasingly draws from global cinema, audiences are demanding transparency—credited adaptations or explicit homage rather than unacknowledged borrowing.
Meanwhile, critics argue that uncredited “inspiration” erodes artistic trust, even when the resultant film resonates emotionally with audiences.
✅ Summary at a Glance
| Topic | Details |
|---|---|
| Kussh Sinha’s remark | “We haven’t plagiarised content” – subtle critique amid his film’s box‑office loss |
| Film in question | Saiyaara, a blockbuster led by Ahaan Panday & Aneet Padda |
| Plot controversies | Alleged resemblance to A Moment to Remember—from Alzheimer’s arc to emotional crescendos |
| Music controversies | Title track compared to One Direction & Jubin Nautiyal; composer denies plagiarism |
| Industry context | Rising demand for transparency and credited adaptation in Bollywood |
Kussh Sinha’s veiled criticism underscores an ongoing friction in Indian cinema: artistic success versus creative integrity. Though Saiyaara continues to attract audiences, the controversy lingers—and Sinha shows that even without direct accusations, a pointed comment can carry weight.
